This blog is dedicated to sharing ideas and information about producing Storyboards and Comics. It will also cover the production and release of the comic book Blackstone Eternal by Robert A. Marzullo.
The digital software that I use and talk about are Adobe Photoshop, Manga Studio 5, Sketchbook Pro 8, and Zbrush. I create my digital art on a Wacom Cintiq 22Hd and an Intuos 5 tablet.
In this Creature Design brush pack you will get 55 hand drawn custom brushes to work with.
These are a variety of creature design elements that you can put together, draw over, or simply use as reference to create all sorts of awesome monster art concepts.
This set includes monster eyes, ears, mouths, arms, legs, torsos, and head shapes. I have also included some texture brushes to help you add those creepy details to your beasts!
You will be get access to a PDF file that will contain the download link. Etsy doesn't allow for large file sizes. Simply click the link in the PDF and download the "Brushset" file for Procreate.
You can use these in your commercial work but you must add your own style to them. Please do not redistribute them as is. These are meant to help you learn and create your own creature concepts.
I hope you enjoy these brushes and as I add more to the set you will get them for free so keep the PDF download if you want access to the future brushes that I add!
The Benefits of Thumbnail Sketching - Free Online Course
Welcome Fellow Artists!
I am sharing a free course with those of you that are looking to improve their skills at drawing. This course focuses on some of the fundamental drawing principles that beginners tend to overlook or realize too late.
This course will help you to simplify aspects of the work and stay creative as you sketch and search for ideas. Just remember that the sketch is the life and energy of the artwork. This course is meant to help you learn to take full advantage of that area of your work, not just rush past it!
You can share your work at any point of this course for myself and other students to see. If I can offer any valuable insight into your drawing process, I will.
If you find value in this course let me know and consider signing up for future updates if you enjoy the content.
Thank you for considering my course and good luck with your art!
Drawing Backgrounds in Clip Studio Paint - Freehand Method Over a Perspective Grid
Hello Fellow Artists!
I just wanted to share another video with you that I created. In this one I show my process for starting with a very loose sketch and cleaning up the work with minimal use of the perspective guides.
Don’t get me wrong, I still use the perspective tools here and there as well as the straight line tool but by drawing as much freehand as possible we tend to get a more interesting and organic look.
I picked this concept up from the amazing talented David Finch. He does his version with pencil and paper but then I started to emulate it with digital methods. Clip Studio is my weapon of choice today but I also like to use Procreate as well.
So here is the breakdown of the drawing process -
1. Draw a rough sketch. It’s good to have a concept first but some people like to drawn the perspective guides first. Try both ways to see what fits for you.
2. Drawn a perspective grid through the design on a new layer using the perspective ruler. I personally like to add more lines where I need them and less where I don’t. Another cool technique you can try here is making the lines different colors for each direction. This is insanely easy in Clip Studio since you have layers to work with.
3. Now you can start inking and cleaning up the work. I like to tighten up the work as I go rather than redraw it all again. This takes practice but it can be a bit faster and help us to avoid over thinking all the details. I’m a chronic over thinker. Plus, since we are working digitally there are lots of ways to correct things as we go.
4. Try drawing just a couple of thin lines in perspective but then draw over them and through them as you render your scene. Too many straight lines can make everything look too clean. This is a style choice but for this example I want a building that looks older and more weathered.
I also feel like this approach lends to creative thinking since you are making decisions on the go and using the rough sketch as a blueprint. Rough concepts are where the ideas and energy come from. We tend to lose some of that as we over refine the work.
5. Just continue to clean things up but also keep adding imperfections along the way. It really helps to tie it all together. I like to use black and white and flip between them by hitting “X” on the keyboard. It’s like having unlimited whiteout as I ink. You can always change the layer mode to “Multiply” later to color beneath it all.
You can watch the video here and see it all in real time with me blabbing on about my process of course! ;)
If you have any questions or requests for new video tutorials you can reach me through my website at https://www.ramstudioscomics.com on my contact page.
More videos are on the way and thank you for viewing. I am working on a cleaner line art version to show the comparison. I know styles vary greatly and I enjoy experimenting anyways. So more on the one soon.
